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Kyle convinces Caleb that if Caleb poses as gay he will gain entry into the Gwen/Marc abode and have access to Gwen while Kyle will have access to Marc. At a party Caleb meets Gwen who thinks Caleb is with Kyle, Caleb wants Gwen, and Kyle wants the apparently aloof Marc. Caleb, after an hilarious opening physical setup encounter with Tiffani (Rebekah Kochan), is convinced that gay men have an easier time of getting partnered than straight men. Caleb (Scott Lunsford) is a straight guy who lives with jazz music student gay Kyle (Jim Verraros) in a purely roommate situation. Classical music student Marc (a new 'Brad Pitt' like Ryan Carnes!) is a popular gay hunk who lives with Gwen (Emily Brooke Hands) who thinks she is the one responsible for making straight boys turn gay (!), so convinced is she that all the good men are gaily unavailable to her. Adding the contemporary slant of gay proposing straight posing as gay so that straight can get girl and gay can get lover works.but you have to stay with this one to catch all the double entendres that make it fun. So many writers have mined this vein of boy playing girl playing boy in the web of catching the designated lover that it must be one of the more durable lines for comedy success through the years. This little film plays more like a French farce than a Hollywood film and if watched with that in mind it is sure to entertain. Turn off the volume and just watch EATING OUT - then it'll be nearly parfait - maybe even downright Fabio. There are also a lot of 'jokes' and 'one liners' (a truly appalling one about being HIV positive) that don't contribute much. It might be cute to occasionally say 'parfait' for 'perfect' and 'Fabio' for 'fabulous' but when every line contains something like this, it gets annoying. The fatuous dialogue turns the likable cast superficial. Characters speak in a "Clueless" slang that is both annoying and unreal. The film's biggest disappointment (and disservice) is it's idiotic dialogue. The centerpiece of EATING OUT (the title has nothing to do with finding a good restaurant) is a phone sex scene that manages to be quite sexy despite it's extended length. After a few establishing shots of Tuscon, we forget the rest of the film is basically house-bound. The film manages to neatly hide it's low budget roots. The gal pals are a gay man's fantasia, however - as one character says "a reality show without the camera crew". It's young stars are hunky, sexy guys who look great on camera and turn in credible performances.